37 rue Saint-Jean
The courtyard of the Maison du Chamarier is a true jewel of Renaissance architecture in Lyon. It features a spiral staircase decorated with flamboyant Gothic motifs, such as shells and cherubs. The well, attributed to Philibert Delorme, is topped with a sculpted lion and caissons decorated with rosettes. The gallery on the first level displays the coat of arms of the d'Estaing family, including a lily and a laurel wreath. The fresco in the humanist cabinet of the west gallery is an Italianate masterpiece, highlighting the refinement of the decor.
The mullioned windows, sculpted vaults and ornamental details bear witness to the refinement of the period. This courtyard, steeped in history, embodies the harmonious blend of medieval tradition and Renaissance innovations, making the Maison du Chamarier an essential place to discover Lyon's heritage.
Role of the Chamarier
The term "Chamarier" (coming from Latin cameriarius, "steward of the chamber") historically designated an important function within the clergy, particularly within a bishopric or a cathedral chapter (Saint-Jean chapter in Lyon).
His main roles were:
Finance Intendant: He was responsible for managing the financial resources of the bishop or chapter. This could include the management of property, income, and expenditures.
Keeper of the Keys: He held the keys to the gates of the canonical enclosure (the area surrounding the cathedral where the canons resided). This was a sign of trust and significant responsibility for the security of the place.
Tax Collector (from the 15th century): In an evolving role, the chamarier became responsible for collecting taxes at fairs, which closely linked his ecclesiastical function to the economic activity of the city.
The chamarier was therefore a key figure, both ecclesiastical and managerial, playing an essential administrative and financial role, especially in a city like Lyon with a strong religious and commercial presence.
